The Ubiquiti Dream Machine Pro
represents a significant step up from consumer networking gear, offering enterprise-grade features in a package that’s actually manageable for technically-inclined home users. After three years of continuous use, it’s proven itself as the backbone of a demanding home network running four VLANs, approximately fifty devices, nine cameras through Protect, and automatic WAN failover. The centralized management interface handles both networking and Ubiquiti’s camera system from a single console, replacing what would otherwise require command-line configuration or separate tools. The cloud login trend and occasional UI hiccups are annoyances worth noting, but they haven’t undermined three years of reliable operation. If you’re comfortable managing VLANs and understand why IoT devices belong on a separate network, this delivers.
This eight-week CyberLeadership program
from the CyberLeadership Institute guides experienced security professionals to operate at executive level, ending with a practical board‑facing capstone project that simulates the presentation of a 2-year plan by an incoming CISO to the board. Each week focuses on a distinct leadership domain, and includes practical action items and templates to be incorporated into the capstone. The course offers 40 CPE towards renewing my CISSP
.
Week 1 – The role of a CISO
Week 1 orients participants to the program and the cyber resilience mindset, and introduces the CISO role through lived experience and practical lessons. Participants explore the many variants of the CISO position, clarify their ideal role, and begin building a personal brand and interview readiness. The week covers essential first‑100‑day priorities, ways to engage the C‑suite, and personal resilience practices.
Daredevil’s Season 3 on Netflix has a lot to offer, despite some early warning signs suggesting it might be overly political. The overall plotline involves the return of Wilson Fisk (now openly known as the Kingpin), and Daredevil’s attempts to keep him from regaining control of the city’s criminal underworld. We have an excellent guest villain from Daredevil’s rogues’ gallery, and there are many well-done and subtle callbacks to that character’s earlier appearances in all formats. We get a bit more backstory for Karen Page, which is interesting but awkwardly inserted. We get some significant revelations for Matt Murdock himself.
Season 2 represents a clear improvement over Season 1 of this show in every respect. The dynamic between Danny Rand and Christine (his girlfriend and sidekick) changes significantly for the better, with Christine’s (or rather, the actresses’) noticeably superior martial arts skills getting recognition. Danny’s own moral failings are pointed to and wrestled with. Some problems are recognized as unsolvable, at least by vigilante superheros. Like Season 2 of Luke Cage
, there’s some significant moral ambiguity present, but it’s somewhat less drastic.
I don’t have much to say about this one. It was better than the first season, but had too much focus on the criminals. There was significant moral ambiguity, particularly towards the end, which could either be a bad thing or a deliberate storytelling choice that will be redeemed next season. This season, it left a bad taste in my mouth. The cameo appearance by Iron Fist was good, but did not mesh well with Iron Fist Season 2 as a whole. (I’m not sure of the chronology). An improvement over the first season, not least because it was shorter and thus had less time to waste. If they had cut it down to 6 episodes instead of ten, it might have worked.
Legion is a TV-form production licensed from Marvel, set in the X-Men side of the universe. Unless you are familiar with the character from the source material, it’s not going to feature any well known characters. The first season is very odd, as you might expect from a series revolving around a main character whose defining characteristic is his paranoid schizophrenia. Or, in other words, he hears voices. And occasionally sees things. And occasionally blows up his kitchen with his mind, and then forgets about it.
The one-line review is that Interstellar is the movie that 2001 should have been. It has a mysterious anomaly orbiting Saturn, a realistic depiction of a space mission to investigate and explore. But it also has so much more: incredible, moving performances from the leading actors and actresses, an emotional investment on both the personal and the species level, strange and wonderful and terrible things to find, and a powerful human drama that plays out across that background.
*The Edge of Tomorrow is a Tom Cruise military sci-fi vehicle, and it’s a bundle of contradictions that actually work out to a pretty good movie. Let me start by hitting you with what is obvious from the trailer: alien invasion, near-future powered armor. Those aspects are mostly handled well. The power armor is much more realistic than, say, Tony Stark’s Iron Man armor; it’s basically strength-enhancing and load-carrying with some token “armor” and a few mounted weapons. Cruise even gets a chance to lampshade the fact that he isn’t wearing a helmet. (The real reason is that he is getting paid millions for his face to be visible, of course). The aliens are alien aliens and not very comprehensible to humanity.
Gravity, with Sandra Bullock in the lead role and George Clooney supporting, is an excellent movie for fans of science fiction, but as SF author Rosemary Kirstein points out
(and beware spoilers behind that link), it is more science fact than science fiction. Though the events are fictional, the technology underpinning them is not. We have multiple space stations in orbit. We have people who work in space on a regular basis, if not continually. We have taken science fiction, and made it real. We have Star Trek communicators, Star Trek tricorders. We are working on self-driving cars and invisibility cloaks. We’re doing all that with science, and this movie sticks reasonably close to what we know about science.
Yesterday, I went to see Fearless, Jet Li’s recent martial arts epic. It was pretty good, but also pretty much exactly what I expected. While there, I saw that the theater had allocated one of its screens to a flick called The Illusionist, a movie I had never heard of or seen previews or promos for. Based on the little title strip with showtimes, it looked interesting, and a few minutes wirelessly checking the reviews on Rotten Tomatos
suggested it wasn’t awful.