Innocence is a sequel to the popular anime Ghost in the Shell
. And it’s a sequel that gives the lie to sequelitis: Innocence may even surpass it’s predecessor.
Fans of Ghost in the Shell will recognize Batou, who returns in the sequel as the solemn, philosophical cyborg cop. Since the disappearance of the Major, his partner, he has withdrawn further and further into himself. He’s assigned a new partner and put on a case involving robots that are killing their human owners and committing suicide.
As you might expect, this is used as an opportunity to explore some of the same themes as before. When we learn to manipulate the senses and memories of other human beings, how can you really know what’s real? What is it that makes a person human, if their body is merely a biological machine? What happens when the machines stop acting like machines, and start acting like humans?
Fans of the vampire genre and anime have both embraced Vampire Hunter D, the tale of a conflicted vampire hunter in a far-future world where a nobility made up of vampires rule a distinctly more supernatural and dangerous earth. A bizarre mix of magic and technology allows humans to hold their own against the monsters, but when especially powerful monsters are involved, they must turn to the specialists. Want to know about vampires? Ask a vampire hunter.
If Vampire Hunter D
was an excuse for a high “cool factor”, Bloodlust turns the cool factor up to 11 and adds moral ambiguity, a much longer runtime, better art, and much improved dialog. Perhaps the best way to describe this sequel is simply this: everything you liked about the first one is present in the sequel, and there are a lot of really good additions that bring depth and quality to the sequel. What the original could be understood to have if you read between the lines is made explicit here.
Hellsing is a fairly unique take on the vampire mythos in anime. The art is done in an unusual style, more abstract than I would normally prefer, and somewhat repetitive. The characters are intriguing if occasionally hackneyed. Although it’s hard to pack much plot into individual episodes, due to time constraints and the need for cool visuals, there is a metaplot that develops throughout the episodes that looks to be going somewhere interesting.
Ghost in the Shell is an anime that has already attained classic status. It merges the potential for beautiful visualization with a powerful storyline exploring philosophical questions. The resulting mix is a very impressive experience, and undoubtedly one of the best examples of the anime art form.
The original dialog is, of course, in Japanese. The translation has some awkardness and occasionally renders the details of the plot hard to follow, but not in a manner that detracts from the really interesting element: exploring the idea of the soul in a world where humans are gradually replacing more and more of their bodies with machines, and even brains can be hacked and reprogrammed.