Book Reviews

Guy Gavariel Kay continues his magic-realism kick with The Lions of Al-Rassan, a thinly-veiled tale of Spain under Muslim rule. The fantastical elements so prominent in many of his earlier works are missing almost entirely from this one, with their only remnant vaguely psychic visions suffered by a character subject to fits and seizures. The story itself is still a masterfully-told romance with a strong female presence, perhaps too strong for the culture. Kay fans who don’t mind the lack of a strong fantasy element will enjoy the well-told story; those who read to escape the limitations of the world we know may find this tale offers little.

Book of Night with Moon is a cat book for those who grew up with Diane Duane’s So you want to be a wizard series. It is somewhat dependent on the earlier works, even though it is not explicitly a part of the same series (and the plot itself stands alone).

Those with cats as pets will delight in the detailed and surprisingly well rendered view into the mind of a cat, where playfulness and feline politics vie with the weighty concerns of world-saving. Those without cats will be lost and confused, which is perhaps typical human behavior from the perspective of a cat anyway..

The Shadow Rising is the fourth book in Robert Jordan’s Wheel of Time series.

The Stone of Tear has fallen, and the Sword That Cannot Be Touched has been drawn in accordance with prophecy, confirming Rand as the Dragon Reborn. But there is much yet to do before he must face the Dark One at Tarmon Gai’don. Goaded by Moiraine, who seeks to guide his path towards Sammael in Illian, Rand remains determined to choose his own path, and to move in a direction that no one expects. For the Dragon, to remain in one place is death – and the Aiel, who took the Stone and allowed Rand to sieze the Sword That Is Not A Sword, have their own prophecies to fulfill.

Something from the Nightside is another piece of formulaic fantasy from Simon Green, who seems quite capable of writing formulaic fantasy or science fiction with his eyes closed and quite possibly while unconscious. His books are characterized by unique people with unique items wielding unique powers, to the point where the sheer uniqueness of everything (complete with capitalization) becomes tiresome and repetitive. This book is a fairly normal application of his formula.

Imagine a world in which Europe does not exist; the Vikings (Eyrans) trade directly with the Muslims (Istrians) at the fabled Allfair, and the Footloose, nomadic gypsy peddlers familiar from a myriad of traditions, converge to swindle them both with false magic, tall tales, and petty thievery. To the Allfair come the cast of characters, seeking adventure, excitement, a beautiful southern wife… and, of course, a handsome profit.

But such is not to be found this year. Instead, Katla Aranson, swordsmith and rock-climber, chooses to climb the rock her people call Sur’s Castle – the seat of their deity. Unfortunately, the Istrians claim that rock for their deity Falla… and deem it sacrilege for a female to touch it. Sacrilege that comes with a death penalty. And in the resulting intrigue, the merchants can perhaps be forgiven for failing to notice the increasing efficacy of the Footloose charms, for something that has been long asleep within the world now begins to stir.

Lord of Chaos, the 6th book in Robert Jordan’s Wheel of Time, marks a turning point for the series. It is the last book that can be effectively defended as lacking major flaws. In some ways it is almost a victim of its own bloat… almost, but not quite, for the high points of the story are very, very high.

We are witness to Rand’s struggle to control the nations he has conquered; between Tear, Cairhien, and the Shaido, his political plate is more than full. Yet his forces gather to launch an assault on Sammael in Illian, even as two factions of the Aes Sedai vie for his attention and favor. In this novel Rand and Egwene, his childhood friend from the Two Rivers, become polarized figures pulled in different directions by the forces of the adult world. Indeed, as events take shape, it becomes clear that the tale Jordan seeks to tell is one of gender-based conflict as much as the simple conflict between good and evil. The nature of saidin and saidar is such that they work best in harmony, yet the Dark One strives to keep them separate, working desperately at cross-purposes, mistrusting and divided.

I read this in a 2003 reissue; it was originally published in 1977. Despite this, it’s an engaging piece of hard science fiction that passes the test of time extremely well. The author was even lucky enough to guess at a Russian collapse, leaving the Chinese as the primary world power (other than the United States, of course). There are only a few references that date the book to its original publication, and none of those are jarring.

“The Paladin” is the tale of an aging swordmaster, living in reclusion, trying to deal with a prospective student who wants him to return to the world and deal with the Evil Usurper. The plot is hardly original, although there are a few interesting twists. Even so, the story is well told and thoroughly enjoyable. It’s worth noting that it dates from a time when fantasy novels could be simple, straightforward, and well-written; that was enough. These days it can be a little more complicated.

The final book in C.J. Cherryh’s Chanur series continues the adventures of Pyanfar Chanur and her crew.

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This is a reread, primarily because the sequel, The Bourne Supremacy has been given the movie treatment. I liked the movie adaptation of The Bourne Identity which did a remarkably good job without simplifying the story too much. I do confess to being a little bit concerned about the sequel, since the movie version removed what could be described as the central tension in the book and didn’t exactly leave any of the loose ends that Ludlum used in his sequels.