Memory, Sorrow, and Thorn

Having rejoined Prince Josua, bearing the great sword Thorn, Simon (now knighted as Sir Seoman Snowlock) must begin to fight in earnest. King Elias has sent an army to destroy the stronghold of Prince Josua’s resistance. Only if that army can be defeated will the prince be able to make his claim credible before the realm and attract the support necessary to topple Elias from the throne. Even in defeat, however, the sword Thorn must be kept from the clutches of the Storm King, for in that great sword and its two brothers lies the power to defeat Prince Josua’s enemies… or so prophecy seems to say.

The Stone of Farewell suffers from the usual problems of a middle book in a trilogy; the characters are caught midway between their youth and their maturity, the plots of evil seem ascendant, and neither the beginning nor the end are entirely satisfactory. Still, this is by no means a poor example.

Simon’s quest to recover the sword Thorn from beneath the Rimmer’s tree has succeeded, at the cost of some lives and much trouble. He and his companions must now escort that sword back to Prince Josua, where – combined with it’s brother Minneyar – they may be able to defeat King Elias. But first, they must rescue Binabik from his own people, who name him oath-breaker.

The fantasy genre is notorious for its cliches. The same elements that make up a compelling tale, as expressed in The Hero With a Thousand Faces by Joseph Campbell, occur again and again. Fans continue to embrace them tirelessly, because as any fan of the genre knows, it’s the details that matter. It’s not where you’re going, but how you get there, and what happens to you on the way. Tad William’s Memory, Sorrow, and Thorn trilogy is a perfect example of that basic principle.